My last post may have been a little different from the rest but man did it make for some interesting comments and discussions. For the record, it took me over a month to write it for the very reason many of you reacted so strongly to it: it was so serious and I'm usually upbeat on this blog. But as the great Meera Syal titled her 2005 BBC mini series, Life Isn't All Ha Ha Hee Hee. Shit happens. As the Americans say, it is what it is.
In writing this novel, the line between fiction and myself is blurry at the best of times. It works both ways. I use so much of my own experiences in the writing: vivid childhood memories, the aesthetics that I experienced last year in Karachi, some of my own neuroses (those are particularly fun to evoke and splatter onto the page). But on the flip side, some of the scenes I've created have come alive to me. I feel like they've really happened- like in the real world. When I go to Vancouver, I can tell you where Katya and her mother had a huge fight, the exact spot at Kits Beach where she ...oops, that was close. You'll see.
Similarly, the line between fiction and reality in that last blog was a wavering one. Everything was essentially true: it's been a rough ride. But I will confess that as I wrote that last image of me and my frost bitten hand, etc, I was sitting in my backyard among my fully bloomed roses with the California sun beating down on me. Sometimes, it's fun to be a drama queen.
Then there's the feed back I've received (sorry about the title, but ever since a certain someone called me Phinomenal, my name has been too much fun to play with). The comments within the blog, the personal emails assuring me everything will be okay. I've even heard from third parties about what some of you said. Even though a writer is supposed to write only for herself, for her art, not for fame or accolades, it feels good knowing there are so many of you out there with me on this roller coaster.
I took a week off over the holidays, packing away all evidence of my writing life. The most strenuous thing I did was tackle a new knitting pattern. That blog was actually very cathartic; it felt good to get it all out and leave it all behind.
Yes, it's only been three working days of 2012 but I feel recharged and rearing to finish this mother- this novel (you're all so sensitive, I don't know if you can handle a potty mouthed Phi).
Showing posts with label California. Show all posts
Showing posts with label California. Show all posts
Thursday, January 5, 2012
Friday, December 23, 2011
"If you want to make God laugh, tell her your plans."
I've had this quote up on my wall for a while now because it's cheeky and applies to other people. Only the other day, at my last Bollywood Cardio class of the year, someone said, 2011 has been an amazing year for me, and I realized I couldn't quite say the same. I did have... not plans so much as notions. And I don't know who's in charge of it all, but they're sure getting a laugh out of me.
My plan was simple: it fit neatly in the little space below my name on this very blog: quit job, write book, the end. At first, things seemed to be on track. Exactly a year ago, on my last working day before Christmas holidays, I "finished" the "final" draft of my novel, saved in a folder called September 2010, and jetted off to the Cayman Islands to hang out with family. I reeled off my plans to all who asked: January I would research, February through May would be editing and by August, I'd be ready for the Squaw Valley Writing Conference where I would wow agents and editors with my complete novel, then sit back while they clawed each other's eyes and hair out to get their hands on exclusive rights.
A month of researching Pakistan from a coffee shop in Mountain View and I was the one tearing my hair out. Seeing Wikipedia would only take me so far, I decided to go to Karachi myself, not as the foreign return I'd been the first time around (which had led to much of the inspiration for this novel) but as a writer. I spent three weeks eating, shopping, laughing, oh and researching. The only night I didn't have my notepad in my back pocket was at a wedding I crashed because my cousin begged me to leave it behind (and because there were no pockets in my sari). Upon returning to California, I knew my novel had to change based on what I'd experienced in Karachi. So I tweaked and rewrote, starting a folder called April 2011.
Suddenly it was August. I had no novel; what I had was eight chapters of mediocre lukewarm porridge. But it was time for Squaw Valley Writing Conference. As preparation, I wrote an elevator pitch, boiling my novel down to 60 seconds of succinct intrigue that would induce the clawing of eyes, etc. I harangued countless friends, wrote 29 drafts of this thing and spent the four hour drive up to Lake Tahoe reciting my pitch in an engaging, natural fashion (side bar: also not part of the plan was the $360 speeding ticket I earned but that's another story). The first agent I approached listened to the first line before walking away to talk to someone higher on the food chain. The next two people to hear it -the last two- were other wannabe writers. And then I came home.
I couldn't get over it, the dashed hopes, all the hair and eyes that remained in tact, not a claw drawn the whole week I'd been gone, and on my desk, the folder stuffed with the 29 drafts of my pitch, mocking me and my well-laid plans. Plus, I was now on my second year of unemployment and funds were dwindling.
So I did the one thing I know how to do, the very thing that had got me into this mess in the first place: I read. Bird by Bird by Anne Lamott. It healed me. It rubbed balm on my tattered ego, reminded me why I was doing this exercise in sadomasochism in the first place and gently propped me up at my laptop once more.
September 2011 is the folder I'm on now. Chapter Nine was printed this morning and added to the shoebox I began a few months ago. Yes, I'm single-handedly killing several forests, but printing out complete chapters and putting them in my orange shoebox is all I have in the world so I do it (on 99 % recycled paper, I promise).
It's been a year and a half, it's been four drafts and counting, and I have no idea what the plan is anymore. I do know the honeymoon is over; I am no longer the happy sparkly kid I was last year, Ms. Look at Me On My Writing Adventure. I know I am an unemployed vagrant who skulks around coffee shops no longer sure of what the hell she's doing while all around her people work, pop out babies, cook dinner every night and get regular haircuts.
One of the irritating side effects of being a writer is this hyper-self-awareness, so I also recognize I'm in the thick of it right now. I'm in this deep, dark mineshaft and I'm too far in not to keep going till I hit gold. Or till my hands fall off from frostbite, my blue fingers still clamped around the shovel.
I have no idea what 2012 will bring. This is not said to fish for compliments but as a fact. I could be picked up by a small independent press and earn $ 500 for my efforts. I could be drowning my sorrows in cheap whiskey while warming my hands at a bonfire made out of a heap of rejection letters.
None of that matters. From where I am, inside this tunnel, I can't see above or below. And that's probably for the best.
I no longer have a plan, I just have a goal.
My plan was simple: it fit neatly in the little space below my name on this very blog: quit job, write book, the end. At first, things seemed to be on track. Exactly a year ago, on my last working day before Christmas holidays, I "finished" the "final" draft of my novel, saved in a folder called September 2010, and jetted off to the Cayman Islands to hang out with family. I reeled off my plans to all who asked: January I would research, February through May would be editing and by August, I'd be ready for the Squaw Valley Writing Conference where I would wow agents and editors with my complete novel, then sit back while they clawed each other's eyes and hair out to get their hands on exclusive rights.
A month of researching Pakistan from a coffee shop in Mountain View and I was the one tearing my hair out. Seeing Wikipedia would only take me so far, I decided to go to Karachi myself, not as the foreign return I'd been the first time around (which had led to much of the inspiration for this novel) but as a writer. I spent three weeks eating, shopping, laughing, oh and researching. The only night I didn't have my notepad in my back pocket was at a wedding I crashed because my cousin begged me to leave it behind (and because there were no pockets in my sari). Upon returning to California, I knew my novel had to change based on what I'd experienced in Karachi. So I tweaked and rewrote, starting a folder called April 2011.
Suddenly it was August. I had no novel; what I had was eight chapters of mediocre lukewarm porridge. But it was time for Squaw Valley Writing Conference. As preparation, I wrote an elevator pitch, boiling my novel down to 60 seconds of succinct intrigue that would induce the clawing of eyes, etc. I harangued countless friends, wrote 29 drafts of this thing and spent the four hour drive up to Lake Tahoe reciting my pitch in an engaging, natural fashion (side bar: also not part of the plan was the $360 speeding ticket I earned but that's another story). The first agent I approached listened to the first line before walking away to talk to someone higher on the food chain. The next two people to hear it -the last two- were other wannabe writers. And then I came home.
I couldn't get over it, the dashed hopes, all the hair and eyes that remained in tact, not a claw drawn the whole week I'd been gone, and on my desk, the folder stuffed with the 29 drafts of my pitch, mocking me and my well-laid plans. Plus, I was now on my second year of unemployment and funds were dwindling.
So I did the one thing I know how to do, the very thing that had got me into this mess in the first place: I read. Bird by Bird by Anne Lamott. It healed me. It rubbed balm on my tattered ego, reminded me why I was doing this exercise in sadomasochism in the first place and gently propped me up at my laptop once more.
September 2011 is the folder I'm on now. Chapter Nine was printed this morning and added to the shoebox I began a few months ago. Yes, I'm single-handedly killing several forests, but printing out complete chapters and putting them in my orange shoebox is all I have in the world so I do it (on 99 % recycled paper, I promise).
It's been a year and a half, it's been four drafts and counting, and I have no idea what the plan is anymore. I do know the honeymoon is over; I am no longer the happy sparkly kid I was last year, Ms. Look at Me On My Writing Adventure. I know I am an unemployed vagrant who skulks around coffee shops no longer sure of what the hell she's doing while all around her people work, pop out babies, cook dinner every night and get regular haircuts.
One of the irritating side effects of being a writer is this hyper-self-awareness, so I also recognize I'm in the thick of it right now. I'm in this deep, dark mineshaft and I'm too far in not to keep going till I hit gold. Or till my hands fall off from frostbite, my blue fingers still clamped around the shovel.
I have no idea what 2012 will bring. This is not said to fish for compliments but as a fact. I could be picked up by a small independent press and earn $ 500 for my efforts. I could be drowning my sorrows in cheap whiskey while warming my hands at a bonfire made out of a heap of rejection letters.
None of that matters. From where I am, inside this tunnel, I can't see above or below. And that's probably for the best.
I no longer have a plan, I just have a goal.
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