Smart Art

Right after yesterday's blog post about meeting the curator, inspired by my own determination, I called another curator I had been told about by the fabulous Zara Contractor. A little schedule juggling and I was able to meet them both in a slim two hour window in two different parts of town before they headed to their afternoon meetings.

Through sleet and snow I drove (I'm not being dramatic, people; I'm in Vancouver), just me and my little black rental Fiat. The first interview was so successful I nearly cancelled the second. Thank God for my aforementioned determination.

The first curator worked at the Emily Carr University Gallery on Granville Island, where some of the best local art gets made, exhibited, and sold. With her twenty-five years of experience in the Vancouver art world, she gave me an incredible overview of the art scene outside of the Vancouver Art Gallery which, being a plebeian, was all I had known before (and relied heavily on in my novel). A nice little coincidence was when I discovered she had been one of the founding members of Artspeak, which as you all know was my original destination today and where I headed next.

At Artspeak, I realized that persistence really pays. It was there, thanks to an incredibly helpful curator who spent nearly an hour answering my haphazard questions, (and, it must be said, her co-worker, the artist who helped me figure out how to use the voice recorder on the ipad I pilfered from my hubby) that I found the pulse of the Vancouver art scene.

Now, like any good writer, I have to stare into the distance as the sun presumably goes down behind a thicket of clouds and the rain continues to fog up the coffee shop windows and think about what it all means to me and to my book.

Working Vacation

Avid readers recall from a previous blog entry my main character is breaking into the world of curating, a world I know squat about. You may also recall last year I happened upon a wonderful curator in the Bay Area who spent her lunch hour filling me in on my two page list of questions. It was a good start but I always knew I had to check the Canadian scene.

Last week, I scoured the Vancouver Art Gallery's website and left a message for the chief curator, hardly believing my own ballsiness as I did. She called me back within hours and with shaking hands (she was CHIEF curator), I made frantic notes as she graciously answered as many questions as I dared ask her. She spent eleven glorious minutes on the phone with me but she left me with about 150 more questions than I'd had before.

It's a tricky business, this: on one hand, I can't learn an entire profession in a month or two or six, on the other, I have to. I could look up a a university website for the curator program, but I don't care if Theory of Composition is a prerequisite for Theory of Space. I need inside knowledge, salacious tid bits, scandals, you know, the good stuff.

I'm in Vancouver this week, supposedly on vacation. My first afternoon here, I googled local galleries and started cold calling.

Tomorrow at noon, I have an interview at Artspeak in Gastown.